Statue of Martin Luther, Wittenberg Town Square, spring 1980 (photo: D. Hendricksen)
As today is Reformation Day, it seems an appropriate moment to turn our attentions to the GDR’s relationship to Martin Luther (1483 – 1546), the German theologian generally credited with having been one of the key figures in setting this transformative process in motion.
“Grave digger of the nation”, “servant of the princes”: these were but two of the epithets popularly directed at Luther by East German ideologues and cultural leaders, at least in country’s early years. Hewing close to a Marxist-Leninist reading of German history, GDR historians understood Luther as the “seed of the German misery” which would later blossom into fully formed disaster with Adolf Hitler and the Nazis.
While this position softened somewhat by the mid-1970s and some of Luther’s contributions to German culture came to be grudgingly acknowledged by the Socialist Unity Party (SED) apparat, the reformer remained nevertheless an ambivalent figure in East German cultural life. That is, until 1980 when East German leader Erich Honecker labelled the medieval monk “one of the greatest sons of the German people.” (pg. 3. Berliner Zeitung, June 14-15, 1980) It was a reassessment which caught many, in particular his SED comrades, off guard.
What was behind this change and what were the results?
First-day issue postcard from Deutsche Post in honour of Reformation-era revolutionary “Thomas Müntzer” with an excerpt from Werner Tübke’s masterpiece, Early Bourgeois Revolution in Germany, as found in the Panorama Museum, Bad Frankenhausen.
From the outside, it looks like nothing so much an 80s-era sports arena that has been placed quixotically atop a small mountain in the Thuringian countryside. However, the Panorama Museum in Bad Frankenhausen is in fact one of the few manifestations of GDR cultural policy to have survived the transition to a unified Germany essentially intact. The museum houses one item, a massive panorama-style painting by East German painter Werner Tübke which bears the name Early Bourgeois Revolution in Germany (Frühbürgerliche Revolution in Deutschland). Measuring 123 m in length by 14 m high, this monumental work includes scenes from the German Peasants’ War, a series of uprisings that took place across German-speaking Central Europe between 1524 and 1526 and which leaders of the Socialist Unity Party (SED) were eager to present as an historical antecedent to their “Workers and Peasants’ State”. Indeed the clear ideological intent with which the Panorama Museum was created makes its continued existence all the more remarkable.
Panorama Museum above Bad Frankenhausen (Goertz Verlag, 1985).
This week, I’m going to examine a couple of aspects of money in East Germany including the official and unofficial exchange of the East German mark for the hard Western currencies which the GDR regime coveted, consumer choice, the country’s Intershop store network and then wrap up with a few notes on the currency itself.
Friedrich Engel’s graces the GDR’s 50 Mark note
Schwedt Oil Refinery Works, one of the GDR’s main industrial projects of the 1960s
As a soft currency, East German marks were not widely available on world markets the way Deutschmarks, Pounds or Dollars were. The official, largely symbolic, rate of exchange for the Deutsch Mark and East Mark was 1:1, however, one could find illegal currency traders in the West offering rates of between 1:8 and 1:12. I have memories of seeing such rates posted in West Berlin exchange booths in the mid- to late-1980s and remember wondering who would make use of such services as the import of East Marks into the GDR from the West was illegal and subject to criminal prosecution. Over time, I found out . . . Read More