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My copy of the East German pressing of Depeche Mode’s Greatest Hits album which state’s Amiga label in 1987 (photo: author).

In 1988, it was clear to both East Germany’s ruling Socialist Unity Party (SED) and its official youth organization, the Free German Youth (FDJ), that the country’s youth were being lost to the “real existing socialist project”. Searching for a means to address this, the FDJ reached for a solution which would have been unthinkable only a few years earlier and started booking major western pop stars for concerts in East Berlin in the hope that the organization might burnish its image by basking in some reflected glory. Many of the bookings made as part of this project including Bruce Springsteen, Bryan Adams and Joe Cocker made sense on one level as the acts’ blue-collar, working class images dovetailed somewhat with the GDR’s official ideology.

But Depeche Mode? How did the FDJ justify having the British synth-pop stars headline the organization’s birthday concert at East Berlin’s Werner Seelenbinder Hall on March 7, 1988? Read More

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