Surveying the landscape of post-unification German culture, it is hard to find many examples of cultural products from the GDR-era which still have a place in the new Germany.
In fact, I can only come up with two: the Sandmännchen, the subject of today’s post, and the Ampelmännchen, the distinctively East German pedestrian crossing lights. (ed. note: I find it rather remarkable that Ampelmännchen survived given that its design was inspired by a photo of the GDR’s Panama hat loving leader Erich Honecker. Considering the thoroughness with which remnants of the SED dictatorship were erased from the eastern German public space in the 1990s, how this escaped attention baffles me still today. But I digress . . .)